.
Digital Image
Study Course Description
Course Description Statuss:Approved
Course Description Version:3.00
Study Course Accepted:02.02.2024 12:25:44
| Study Course Information | |||||||||
| Course Code: | KSK_003 | LQF level: | Level 6 | ||||||
| Credit Points: | 2.00 | ECTS: | 3.00 | ||||||
| Branch of Science: | Communication Sciences | Target Audience: | Communication Science | ||||||
| Study Course Supervisor | |||||||||
| Course Supervisor: | Ilva Skulte | ||||||||
| Study Course Implementer | |||||||||
| Structural Unit: | Faculty of Social Sciences | ||||||||
| The Head of Structural Unit: | |||||||||
| Contacts: | Dzirciema street 16, Rīga, szf rsu[pnkts]lv | ||||||||
| Study Course Planning | |||||||||
| Full-Time - Semester No.1 | |||||||||
| Lectures (count) | 6 | Lecture Length (academic hours) | 2 | Total Contact Hours of Lectures | 12 | ||||
| Classes (count) | 6 | Class Length (academic hours) | 2 | Total Contact Hours of Classes | 12 | ||||
| Total Contact Hours | 24 | ||||||||
| Part-Time - Semester No.1 | |||||||||
| Lectures (count) | 5 | Lecture Length (academic hours) | 2 | Total Contact Hours of Lectures | 10 | ||||
| Classes (count) | 3 | Class Length (academic hours) | 2 | Total Contact Hours of Classes | 6 | ||||
| Total Contact Hours | 16 | ||||||||
| Study course description | |||||||||
| Preliminary Knowledge: | |||||||||
| Objective: | |||||||||
| Topic Layout (Full-Time) | |||||||||
| No. | Topic | Type of Implementation | Number | Venue | |||||
| 1 | Lectures | 1.00 | auditorium | ||||||
| 2 | Lectures | 1.00 | auditorium | ||||||
| 3 | Classes | 1.00 | auditorium | ||||||
| 4 | Classes | 1.00 | auditorium | ||||||
| 5 | Lectures | 1.00 | auditorium | ||||||
| 6 | Lectures | 1.00 | auditorium | ||||||
| 7 | Classes | 1.00 | auditorium | ||||||
| 8 | Lectures | 1.00 | auditorium | ||||||
| 9 | Classes | 1.00 | auditorium | ||||||
| 10 | Lectures | 1.00 | auditorium | ||||||
| 11 | Classes | 2.00 | auditorium | ||||||
| Topic Layout (Part-Time) | |||||||||
| No. | Topic | Type of Implementation | Number | Venue | |||||
| 1 | Lectures | 1.00 | auditorium | ||||||
| 2 | Lectures | 1.00 | auditorium | ||||||
| 3 | Classes | 1.00 | auditorium | ||||||
| 5 | Lectures | 1.00 | auditorium | ||||||
| 6 | Lectures | 1.00 | auditorium | ||||||
| 7 | Classes | 1.00 | auditorium | ||||||
| 10 | Lectures | 1.00 | auditorium | ||||||
| 11 | Classes | 1.00 | auditorium | ||||||
| Assessment | |||||||||
| Unaided Work: | |||||||||
| Assessment Criteria: | |||||||||
| Final Examination (Full-Time): | Exam (Written) | ||||||||
| Final Examination (Part-Time): | Exam (Written) | ||||||||
| Learning Outcomes | |||||||||
| Knowledge: | |||||||||
| Skills: | |||||||||
| Competencies: | |||||||||
| Bibliography | |||||||||
| No. | Reference | ||||||||
| Required Reading | |||||||||
| 1 | Digital Aesthetics, Sean Cubitt. (London: SAGE, 1998), PP.29-49 | ||||||||
| 2 | The Future of the Image, J. Ranciere. ( London, New York: Verso, 2007), pp. 1-37 | ||||||||
| 3 | Interaction (Information) as an Aesthetic Event. 2007. http://manovich.net/articles/ | ||||||||
| 4 | Image Future, 2006. , Lev Manovich No: http://manovich.net/articles/ | ||||||||
| 5 | A History of Video Art. The Development of Form and Function, Chris Meigh-Andrews (Oxford: Berg Publishers, 2006) | ||||||||
| 6 | Illuminating Video. An Essential Guide to Video Art, Doug Hall & Sally Jo Fifer (Aperture: 1991) | ||||||||
| 7 | Video Art, Michael Rush (London: Thames&Hudson, 2003) | ||||||||
| 8 | New Media in Art, Michael Rush (London: Thames&Hudson, 2005) | ||||||||
| 9 | Rethinking Visual Anthropology, ed. by Marcus Banks and Howard Morphy (Yale University: 1999) | ||||||||
| 10 | Experimental Ethnography.The Work of Film in the Age of Video, Catherine Russell (London: Duke University Press, 1999) | ||||||||
| 11 | The Concise Focal Encyclopedia of Photography (Focal Press: 2008) | ||||||||
| 12 | Image.Music.Text, Roland Barthes(Fontana Press: 1977) | ||||||||
| 13 | The End of Celluloid, Matt Hanson (Roto Vision: 2004) | ||||||||
| 14 | Ķermenis kā politisks instruments un mākslas platforma Taņas Ostojičas darbos. Laine Kristberga (Studija Nr. 75, 48.–53. lpp.) | ||||||||
| 15 | Neērtums un sociālās paradigmas etnogrāfiskajos novērojumos. Saruna ar videomāksliniecēm Jūliku Rudēliusu un Pilvi Takalu. Laine Kristberga (Studija Nr. 79, 58.–63. lpp.) | ||||||||
| 16 | The Aesthetics of Curiosity in Katrina Neiburga’s Works ‘Topology No 29’, ‘What’s in a Girl’s Handbag?’ and ‘The Teashroom’. Laine Kristberga (Acta Academiae Artium Vilnensis, 2011) 203.–211.lpp. | ||||||||
| Other Information Sources | |||||||||
| 1 | Digitālo un/vai video mākslinieku mājaslapas | ||||||||
